The Master’s programme in Arts and Culture (research) at Leiden University integrates art history, media studies, literature and literary theory, since the study of cultural objects and cultural practices is founded on a shared theoretical and methodological framework. It is unique in offering a two-year programme that integrates art history and theory with literary studies and media studies.
The Research Master’s in Arts and Culture at Leiden University stands out from other Research Master’s programmes in art history in the Netherlands by its global character, focus on design and applied arts, integrated study of the visual arts and architecture, its intense collaboration with the MA in Media Studies and the MA in Literary Studies this joint teaching programme gives you the opportunity to acquire a valuable range of skills, both disciplinary and interdisciplinary, historical and theoretical.
The research master’s offers a flexible programme that encourages you to adopt an interdisciplinary perspective, but also gives you considerable freedom to follow disciplinary courses within your ‘home discipline’. You can focus on Art and Culture, Media Studies or Literary Studies, and can opt for an interdisciplinary focus applied to a single period (Middle Ages/Early Modern resp. Modern and Contemporary), or an approach that concentrates on a single discipline. All students follow compulsory joint theoretical and methodological courses.
The main research themes of LUCAS, the Leiden Institute for the Arts in Society, guide the themes of the courses offered. These are:
“Architectural history in Leiden also looks at the ways in which buildings act upon the viewer.”
“Architectural history in Leiden is distinguished by close attention not just to architects, their designs and execution, but also to their patrons, the public, and the ways in which buildings act upon the viewer. We focus on Italian Renaissance and Baroque architecture, alternative ways of writing the history of Modernism, and exploring the interaction between architectural design, history and theory.
In recent years, we have looked for instance at the agency of architecture: at the ways in which buildings were used by their architects and patrons to act upon their viewers, influence their belief or change their behaviour.
Other central topics are the interactions between architecture, sculpture, and painting in the Italian Renaissance and Baroque, which we explore in situ, and the various perspectives of art and architectural history, archaeology and literary studies on architecture.”